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“It may be worse than Portugal,” observes cinematographer Henri Alekan about a Los Angeles film lab while on the set of Wim Wenders’ The State of Things (1984). A legendary production and a transitional work for the New German Cinema director as his work became increasingly international, Wenders set out to make a film about filmmaking as funding stalled on the American production of Hammett. The State of Things deals with American and European sensibilities about cinema, and he enlisted Lachman to film and document the film being made in Los Angeles. Made for German television, completed in 1985 and unseen outside of Germany, Lachman’s portrait of Wenders at work features striking filmmaking and location photography of Los Angeles in the 1980s, and serves as a candid glimpse into European encounters with American culture at the time.

A comical weekly look at screenplay sales and the lives of Hollywood screenwriters.

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An American journalist is traveling to Russia to find the newly invented "Love vaccine".

At a luxury Florida resort, health food lobbyists choose their new president at their annual convention. As the conference progresses, underhanded tricks, backroom corruption and bizarre personal behavior threaten to undermine the entire affair.

Adam Strange, a retired Home Office criminologist, solves bizarre cases – which have been marked "Open File" by various government departments – with the help of Hamlyn Gynt, Evelyn and Professor Marks. He employs the latest techniques in forensic investigation, which he undertakes in his own laboratory in his flat in Warwick Crescent in the Maida Vale/Little Venice area of Paddington.

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